Category: Mythological Creatures


The phoenix from the Aberdeen Bestiary.

The phoenix from the Aberdeen Bestiary.

This fabulous bird traverses both Egyptian and Greek mythologies, and its various versions are to be found in mythical literature around the world. It is said to be a huge bird with a magnificent plumage of red and gold that can live up to 500 years. It is believed to inhabit a place in Arabia near a spring of deliciously cool water. Everyday at dawn, it would plunge into this spring to bathe and sing a melodious song so sweet it would attract the attention of the sun god. Singing in the shower has never been known to have such a potent effect, but suffice to say, the song of the phoenix literally stopped the chariot of the sun god in its tracks. The phoenix however, does not seem unduly perturbed or even aware of its effect on Phoebus, until we reach the end of the story, or in the case of the phoenix, the regeneration phase.

It builds its nest on top of a palm tree using highly fragrant spices and bark of the cassia. When it feels its end nearing or is mortally wounded in an encounter, the bird retreats to its nest and set itself on fire. Completely burnt to ashes, it then regenerates from these very ashes, young and vibrant as before and not a feather out of place to show for the ordeal. What wouldn’t the modern beauty industry give to learn the secret of this eternal youth, where they’ve tried all but burn their way into youth.

The phoenix in the Forbidden City, Beijing, China.

The phoenix in the Forbidden City, Beijing, China.

Anyway after being regenerated, one of the first duties the bird has to perform is collect the ashes of its predecessor into the hollow of an egg made of myrrh, and take it to Heliopolis or the abode of the sun and leave it at the altar. So it would seem that the bird was aware of the sun god’s attentions, after all.

If you were to delve into the diet secrets you would find that it didn’t indulge in normal bird food such as worms and seeds, but rather feasted on aromatic gum such as frankincense, and the juice of a root from the ginger family. Though this may not fully explain its longevity, and powers of what may be termed the ultimate rejuvenation, it does set it apart from any others of its kind. It has been suggested by more down to earth practical types that this mythical bird could have been a heron, or even a peacock or a flamingo. But it remains an enigmatic fact that archaeologists have actually uncovered the 5000 year old remains of a bird much bigger than the average heron in the Persian Gulf.

"A Mermaid" by John William Waterhouse.

"A Mermaid" by John William Waterhouse.

Mermaids hover between the zones of make believe and reality, often coming dangerously close to the latter. Historic sailors such as Christopher Columbus have asserted that they exist, though are not half as pretty as they are purported to be. Years spent at sea on a diet of rum and no female company can do things to your imagination, and make frolicking dolphins assume female forms.

We may however, have to give Columbus and his ilk the benefit of the doubt, because mermaids have been a part of folklore since the ancient times. The classic depiction was that of a mermaid seated on a rock, combing her long tresses while gazing absentmindedly into an ornate handheld mirror. They were supposed to be fantastically beautiful once you got used to the fishy smell, and had great powers of enticements. A wicked temper to go with this beauty often spelt trouble for lovers or whoever happened to catch their fancy.

The Fisherman and the Syren, by Frederic Leighton, c. 1856–1858

The Fisherman and the Syren, by Frederic Leighton, c. 1856–1858

In Greek mythology, mermaids or their equivalents were often the result of gods taking their amorous escapades to the realm of the sea. The Sirens would have to be the most famous of these creatures. Homer’s Odyssey has a riveting account of the hero Ulysses’ encounter with the Sirens. Warned by Circe, he plugged the ears of his crew with wax, but not before ordering them to tie him up to the mast head. This accomplished, he was witness to the powerful tempting voices of the Sirens that lured him closer. The whole point of the exercise was to get them to crash the vessel on the jagged rocks beneath the foam and be dashed to pieces. Though what they sought to gain from this would be anyone’s guess, it does point to the hazards of having a lot of free time on your hands.

Marriages between mortals and mermaids are not unknown in mythology, and the most recent example would be that of Hans Anderson’s Little Mermaid. But not all these matrimonial engagements have similar happy endings and most are often do or die efforts, on the part of the mortal. Mermaids pose great danger to their mortal partners due to their streaks of cruelty and irresponsibility. Incompatibilities ranging from mermaids’ inability to walk on land and the mortals’ inability to breather under water often pose great problems. They are known to drag the mortal chap deep into the waters often forgetting this fact, though this might be just their way of teaching recalcitrant partners a lesson.

Statue of a griffin at St. Mark's Basilica in Venice.

Statue of a griffin at St. Mark's Basilica in Venice.

A fabulous creature supposed to have its origins in India, the griffin combines the noblest qualities of the eagle and the lion. It has the head and wings of an eagle and the body of a lion, and sometimes is presented with a serpent for a tail. Though this may not have done much for its looks, it is supposed to incorporate the superb vision and powerful flight of the eagle, with the regal agility and strength of the lion, rendering it unstoppable. Briefly put, it is the king of the birds and the king of the beasts rolled into one.

The griffin’s job description is as interesting as its looks. Legend has it that the griffins are able instinctively to find gold and buried treasure, which they then proceed to hoard in their nests and guard vigilantly. So the griffin’s nests were a constant target for daring treasure seekers, the chief among whom were the one-eyed Arimaspians of Scythia. The two were constantly at war for this reason. Milton has alluded to this in his Paradise Lost, Book II.

Depiction of a griffin by Sir John Tenniel for Lewis Carroll’s Alice's Adventures in Wonderland.

Depiction of a griffin by Sir John Tenniel for Lewis Carroll’s Alice's Adventures in Wonderland.

There are many legends associating the griffin with notable historical personalities and a perennial favourite seems to be of Alexander the Great. Probably bored with his stint in world domination, the emperor turned his sights heavenwards. He is supposed to have starved two griffins for three days and then tied them to either sides of his throne. He then sat on the throne and tempted them with pieces of roasted meat held high over their heads, thus prompting them to fly high in a bid to reach it. His flight lasted seven days and then he was confronted by an angel who asked him why he was curious about heaven when he hadn’t really explored the earth. This seems to have struck home and he is said to have returned to earth, where he went back to plan A of conquering the world. This scene is depicted in some French and Italian cathedrals of the 12th century.

Apparently the griffin was a common motif in the ancient cultural art of the Persians, the Babylonians, the Assyrians, and the Romans. Surprisingly it even persisted in the early Christian architecture in the form of gargoyles on medieval church roofs. Early Christian symbolism attributed the epithet of “king of heaven and earth” of the griffin, to stand for Jesus Christ himself. The griffin was almost forgotten by all in the modern age, except perhaps for some scholars of mythology bent over ancient tomes, until recently J.K. Rowling thought it fit to resurrect this fantastic mythical creature in her own version, in the form of a hippogriff in the Harry Potter series.