Archive for September, 2008


Statue of Hathor from Luxor Museum

Statue of Hathor from Luxor Museum

Hathor was worshipped in ancient Egypt as the winged cow of creation who held up the whole universe on her four feet. She was depicted as having cow’s horns with the sun in the middle. These days she would have to be called the goddess of multi-tasking for there was nothing she couldn’t do. She was associated with love—all kinds, dance, art, music, fertility, pregnant women, childbirth, and drunkenness. Now, a drunken cow might be stretching things a bit too much, but Hathor was no ordinary bovine. She had various honourable epithets such as Mistress of Heaven, The Lady of the Stars, Great Wild Cow, Lady of Sycamore, The Golden One, The Eye of Ra, The Lady of the West, The Lady of Lapis Lazuli, and so on and on.

Hathor as a cow, wearing her necklace and showing her sacred eye - Papyrus of Ani.

Hathor as a cow, wearing her necklace and showing her sacred eye - Papyrus of Ani.

As you can see she was one busy goddess, but her primary occupation was as the eye of the Sun god, Ra. She was appointed by him to watch over the earth. Once when he found that mankind was getting too big for their boots or sandals as the case may be, he sent Hathor over to teach them a lesson. A blood bath ensued and even Ra couldn’t convince her that enough was enough. Finally he hit upon a marvellous plan, according to which he procured seven thousand jars of beer that had the colour of blood, and by night, flooded the fields with it. Thinking it was blood, her beverage of choice; she lapped it all up and went into a drunken stupor that added the tag of drunken goddess to her already colourful resume. While she was still reeling, Ra managed to employ some Linguistic Programming and convinced her that she was of a loving, peaceful nature. Ra then ordered mankind to remember the day as the day they almost perished because of Hathor’s fury. Mankind immediately decided to hold an annual feast in her honour and did all they could to appease her. It was their turn to drink as much beer as was humanly possible.

Sculpture of Hathor as a cow, with all of her symbols, the sun disk, the cobra, as well as her necklace and crown.

Sculpture of Hathor as a cow, with all of her symbols, the sun disk, the cobra, as well as her necklace and crown.

Her other powers included the role of determining the future of new-borns. She would come in the guise of seven young maidens and foretell its fate right up to its journey to the Land of the West, which stood for death. Her portfolio which also proclaimed her dominion over moisture made her a natural for the post of creator and controller of floods in the Nile. She is honoured as the mother of the Pharaoh who was supposed to be an incarnation of Ra himself. This might be a little mind bending when you consider Hathor is also supposed to be the Eye of Ra.

Statue of a griffin at St. Mark's Basilica in Venice.

Statue of a griffin at St. Mark's Basilica in Venice.

A fabulous creature supposed to have its origins in India, the griffin combines the noblest qualities of the eagle and the lion. It has the head and wings of an eagle and the body of a lion, and sometimes is presented with a serpent for a tail. Though this may not have done much for its looks, it is supposed to incorporate the superb vision and powerful flight of the eagle, with the regal agility and strength of the lion, rendering it unstoppable. Briefly put, it is the king of the birds and the king of the beasts rolled into one.

The griffin’s job description is as interesting as its looks. Legend has it that the griffins are able instinctively to find gold and buried treasure, which they then proceed to hoard in their nests and guard vigilantly. So the griffin’s nests were a constant target for daring treasure seekers, the chief among whom were the one-eyed Arimaspians of Scythia. The two were constantly at war for this reason. Milton has alluded to this in his Paradise Lost, Book II.

Depiction of a griffin by Sir John Tenniel for Lewis Carroll’s Alice's Adventures in Wonderland.

Depiction of a griffin by Sir John Tenniel for Lewis Carroll’s Alice's Adventures in Wonderland.

There are many legends associating the griffin with notable historical personalities and a perennial favourite seems to be of Alexander the Great. Probably bored with his stint in world domination, the emperor turned his sights heavenwards. He is supposed to have starved two griffins for three days and then tied them to either sides of his throne. He then sat on the throne and tempted them with pieces of roasted meat held high over their heads, thus prompting them to fly high in a bid to reach it. His flight lasted seven days and then he was confronted by an angel who asked him why he was curious about heaven when he hadn’t really explored the earth. This seems to have struck home and he is said to have returned to earth, where he went back to plan A of conquering the world. This scene is depicted in some French and Italian cathedrals of the 12th century.

Apparently the griffin was a common motif in the ancient cultural art of the Persians, the Babylonians, the Assyrians, and the Romans. Surprisingly it even persisted in the early Christian architecture in the form of gargoyles on medieval church roofs. Early Christian symbolism attributed the epithet of “king of heaven and earth” of the griffin, to stand for Jesus Christ himself. The griffin was almost forgotten by all in the modern age, except perhaps for some scholars of mythology bent over ancient tomes, until recently J.K. Rowling thought it fit to resurrect this fantastic mythical creature in her own version, in the form of a hippogriff in the Harry Potter series.